![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhlzI03c-d0U2oERlGWvOuQcH6yqP_FkDUFKUBooGY7JDpgS7scqYV0IUOXhbplttnb8SZj9peEkHq_p1sq3nLM3mYOouo9n6uC7JoP1mDrN9mrsVAzxFAyPu4C6GGRsVyKpqpP/s320/DSCN4158.JPG)
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg0kdbd3OiPZOR8qyQYHw5GEi3gNb7H4kpHYhaVxNyUYAg94QioM3Ial-lEhoCK4lWDshIys90YbwKt6OE42K2QVgv2RRbBNIkTwls7OH23sQdnxEWHsCLgtKa1iKaE1wuacvfQ/s320/2010052602+Laurel+Hill.jpg)
One of my favorite grave monument types incorporates a plinth, a plain cross, compressed columns at the corners and a massive steeple. So far, I have found three examples of this monument and it's likely that they were produced by the same company: Harrington Monument (left) in Woodland Cemetery, Hand Monument (right) in Laurel Hill Cemetery, and another example at Old Cathedral Cemetery on 48th and Lancaster Ave., Philadelphia. I am assuming some Frank Furness influence.
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