The incorporation of steel beams in the visual language of American architecture begins with Frank Furness. Historians credit his Pennsylvania Academy of the Fine Arts (1871) as the first building to use exposed steel beams and to incorporate the new riveted technology into the decorative language. This is evident in the PaFA’s interior galleries, where horizontal steel lintels are married with Furnessean capitals. The connective rivet inside the beam channel turns into a rosette.Over the last couple of weeks, I’ve been tracking the application of the exposed steel beam in the vernacular architecture of Philadelphia. The Philadelphia row house is known for its continuous front porch. Anyone that has spent a summer in Philadelphia understands the necessity of such a feature and the climatic allegiance that the city holds with the South. Although Pennsylvania joined the Union, Philadelphians were split in their allegiance to the Confederacy. In the 19th century, Philadelphia flourished as the gateway to the southern markets.
Like the almost contemporary examples of steel beam expression from Greece, this Philadelphia innovation reveals the experimental ingenuity of vernacular architecture. In Philadelphia, professional firms (like Furness and Hewitt) were involved in residential development. Hence the interface between aesthetics and domestic application are not surprising.
219-233 S. 45th St
4010-4016 Spruce St
4500s Springfield Ave
4500s Baltimore Ave
419-421 S 40th St
4305-4311 Locust St
No comments:
Post a Comment